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Подшивка публикаций в прессе
25 Марта 2002 "Frakfurter Allgemeine": Im Steptanz durch den Stalinismus:
Moskau legt sich ein Musical zu
[Подробнее...]
Dlya teh kto ne chitaet po-nemetski,
perevod na anglijskij (www.altavista.com)
In the hopeful insight that Dekadenz do not only spread commercial culture,
but also patriotic values to promote, two Muscovites singer-songwriters know
decided to connect the pleasant with the useful one and to transplant the
profitable category musical on Russian soil. On the basis a patriotic
melodramatischen Soviet literature collecting main and loans from hit -,
romance as well as song traditiontradition song traditions together-knitted
Georgi Wassiljew and Alexej Iwaschtschenko a popmusikalisches national
selfport-guessed/advised, which is to be admired Nordost. under the title
allabendlich in an earlier Soviet culture palace in an industrial quarter of
the capital. The Sujet, which is marketed according to all rules of
capitalism on various souvenir articles, comes of to Weniamin Kawerins
postwar novel Zwei of captains, for which the author received once the
Stalin price. History is a classical communist hero pos, which with
Sentiment and turbulenceturbulence turbulences before the public let the
twentieth century by-pull. In the focal point is located the revolution
orphan boy Sanja, which overcomes its childlike speech inhibition and a
combat pilot becomes. With him, in consequence embodied by childlike, young
persons and adult actors, more genuinly and a false friend as well as a
loved girl, whose father on a polar expedition died, develop. To it its
brother was debt, which then the verwitwete nut/mother married, that kills
itself, when you open the treuherzige Sanja with a farewell letter of the
arctic driver the eyes. So even innocently guiltily become it can save the
failed ship in the Second World War during a forced landing in the polar ice
including its frozen captain and manufacture at least symbolic justice.
Production captivates by impressive stage technique. First a streetcar
drives on the stage, later a railway train, finally lands an attained full
growth airplane, and under the mobile stage soil a whole ship becomes
visible, which leads the increasing industrial power of the Soviet Union
apart from a picture-dramatic increase also before eyes. The
musiktheatralische passage by civil war, new one economic policy, relative
times of war and peace realise ensemble ensembletaenze, which carry
temperful jazz and step movements forward in proletarian, but pittoresken
Soviet costumes and translate so totalitarian history into dragging along
eddy wirbeltaenze to schmissigen rhythms above all. Mass-cultural
minimization instead of processing of its history is that, to which the
Russian society is able, why commercial success seems secured at the native
public. The producers would like to attract however also after the model of
western musical long-lasting phenomena foreign tourists. Certainly can offer
the music mixing machine carried forward by a whole Live orchestra no
brilliant melodies, also the singing arts of the Solisten leave to be
desired to be silent from the all too schematic stage characters completely.
A love-worth provinzieller amateur charm is for it a weak remuneration.
KERSTIN CROSS-BEAM
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